Film Score: Cliff Martinez Cinematography: Lukas Ettlin
Starring: Matthew McConaughey, Marisa Tomei, Ryan Phillippe and William H. Macy
The film opens with hot-shot lawyer Matthew McConaughey in his office: his vintage Lincoln Town Car driven by chauffer Laurence Mason. Unlike most lawyers who try to pretend different, he only cares about money. When court clerk John Leguizamo tells him about the rich Ryan Phillippe who has been arrested for assault on a prostitute, it’s easy money in the bank for McConaughey. On the other side of the aisle in the courthouse is the lawyer’s ex-wife, Marisa Tomei, and the two have a surprisingly good relationship, which stems from their mutual love for their daughter. He also has a crack investigator, William H. Macy, who thinks Phillippe is guilty but does a good job of trying to find the truth. Meanwhile cop Michael Paré has a grudge against McConaughey for getting killers out of prison on technicalities, as does assistant D.A. Josh Lucas who would like nothing better than to sandbag the hot shot and put him in his place. Of course Phillippe begins by lying to McConaughey, and eventually the lawyer sees a connection with a murder case in which he advised Michael Peña to plead guilty because he didn’t have a case. It doesn’t take long for McConaughey to realize that Phillippe hired him in order to have all of the evidence of the connection covered under attorney-client privilege, leaving him protected from the first murder. How McConaughey attempts to get justice for everyone involved, while Phillippe tries to do the opposite, is incredibly suspenseful.
Matthew McConaughey is simply marvelous, as both the slick hustler and later in the film when he becomes haunted by his own hubris. And Marisa Tomei is equally impressive as his gorgeous ex-wife. They play off each other brilliantly and have great onscreen chemistry. William H. Macy is also wonderful as the street-wise investigator, as is Josh Logan as the overconfident prosecutor who gets played by McConaughey. In addition to a great principal cast, there are a bunch of great supporting roles. Besides the delightful appearances of Michael Paré, John Leguizamo and Michael Peña, Bryan Cranston plays a homicide detective that McConaughey can’t stand, while Bob Gunton plays Phillippe’s family lawyer. The great Shea Whigham puts in an appearance as a jailhouse snitch, a year into his impressive run on Boardwalk Empire, while Frances Fisher does a nice job of replicating a 40s noir type mother. Nevertheless, even with all of that talent, it’s difficult to not to lay the success of the film on a terrific story, adapted by screenwriter John Romano, and some confident direction by Brad Furman. Because the majority of the film takes pace during the day and the humor in the story, it’s something of the flip side to a film like Collateral’s dark depiction of L.A. at night. Though perhaps not a great work of art, The Lincoln Lawyer is great cinema and well worth seeking out.