Film Score: Atli Örvarsson Cinematography: Amir Mokri
Starring: Dennis Quaid, Forest Whitaker, William Hurt and Matthew Fox
The film begins with a news team in the production van outside a square in Spain were world leaders are to speak about a global conference on terrorism that is taking place in their city. Sigourney Weaver is the producer in the van and Zoe Saldana is the reporter on the scene. William Hurt, as the President of the United States, rolls up in his bullet-proof limousine, and Weaver notices that Secret Service agent Dennis Quaid is on the job, even though he took a bullet for Hurt less than a year ago. But before the speeches even begin, Hurt is shot and a bomb goes off that kills Saldana. Back the story up a half hour, and Quaid is alone in his hotel room before the speech, on pain pills and having flashbacks of the previous shooting. He’s sees two things during the current assassination. He sees where the shots came from but he also sees Forest Whitaker in the crowd taking video looking the wrong direction. After Hurt is moved, Quaid finds Whitaker and looks at his tape. He sees the bomb planted, but is too late to stop it from going off, and finally makes his way out to the television van. Back to the arrival of the president, Eduardo Noriega is apparently a cop assigned to protect the mayor of the city, and he spots Edgar Ramírez talking to girlfriend Ayelet Zurer. But Zurer is supposed to be Noriega’s girlfriend, and when he gives her the bag she wanted from the house, he realizes too late it’s the bomb.
The scene goes back to Forest Whitaker this time, then from William Hurt’s perspective, and then the villains, each time taking the story a little bit further along. The Hurt segment, with Bruce McGill as his hawkish aide, is particularly intriguing and changes the entire complexion of the film. There are some problems, to be sure. For one thing, there is no way on Earth that the secret service would have allowed that outdoor speech in a closed off square surrounded by windows. Wouldn’t have happened. For another thing, the subplot involving William Hurt seems more like urban myth that a believable plot point. But that’s when the film really gets going. Much more is happening between Noriega, Ramírez and Zurer that at first meets the eye. Matthew Fox, as Quaid’s partner, and the friendly Saïd Taghmaoui also figure prominently into the puzzle. Of course there’s the obligatory car chase at the end of the film, and all of the characters wind up in the same spot at the same time for the surprisingly anti-climactic ending. Though it wasn’t a box-office smash--especially after word got out--it did make back nearly double its production costs domestically, and essentially made the same in the international market. Vantage Point isn’t something that most viewers will want to see more than once, but do catch it on cable and give it a chance.